Centrul Astra Film

Sibiu International Film Festival            Since 1993

Astra Film Festival

Astra Film Festival

  • Opening Event - Double Bind theatre performance

     A double bind is an emotionally distressing dilemma in communication in which an individual (or group) receives two or more conflicting messages, and one message negates the other. This creates a situation in which a successful response to one message results in a failed response to the other (and vice versa), so that the person will automatically be wrong regardless of response. The double bind occurs when the person cannot confront the inherent dilemma, and therefore can neither resolve it nor opt out of the situation.

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  • Neorealism and newrealism

           The road map this retrospective tries to describe and create is the journey of the seeds planted by the neorealist experiment, introducing works that question the concept of documentary as privileged film genre considering its relationship with reality, and in order to do so focusing on the representation of such reality. This is a partial selection – in both time and space – whose goal is to suggest other relationships between other filmographies.Technical conditions for mobility and small teams allowed cinema to be critic, witness and researcher, looking at those who had been so far invisible: a “portable cinema” creating poetry from the popular imaginary and the ability people have to self-reflection: La Terra trema, Umberto D.Subarnarekha is part of a trilogy on refugees by Ritwik Ghatak, and one of the fundamental films of India's Parallel Cinema. Gatak himself was a refugee during East Bengali’s great crisis in 47.In Adela Adolfo Alix Jr. films Anita Linda (a former radio diva) in the slums of Manila, building an analysis of Philippine’s violent class system, in a game of self-fiction by those who are filmed.In 1961 Mackenzie directed The Exiles, with the Native American community in the outskirts of LA: those who do not belong anywhere, emerging in long takes that build up a “realism of duration” (R. Koehler).The Death of Mr. Lazarescu by Cristi Puiu is key to understand Romanian New Wage Cinema. The author and the camera’s point of view are alternative to the totalitarian state imaginary, in a minimalistic principle (both narrative and pictorial) reflecting a possible realism in cinema.From Portugal, Os Mutantes, by Teresa Villaverde: in a country disappointed by an unfulfilled revolution and numbed by the European dream, outcast institutionalised teenagers wander around in a parallel reality to the Lisbon of the 90’s. Commited to reality, cinema refused aesthetic and political constraints of traditional documentary and engaged in a pact with the people and with cinema itself. Cíntia Gil, Davide Oberto

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  • Politics of communication: Drawing

    It is said that “a picture is worth a thousand words”. Reality has repeatedly demonstrated that a press drawing is the equivalent of an article and sometimes, even an entire newspaper.The terrorist attack that took place in January this year at Charlie Hebdo magazine in Paris is still fresh in the collective memory, attack launched as a response to the publication of a caricature of Mohammed that Islamic fundamentalists saw as defamatory. Almost the entire editorial board was killed in the assault and it triggered the birth of a massive solidarity movement on social media, Millions of people from Europe and all around the world declared at that time ”Je susis Charlie!”Recently this year, Charlie Hebdo magazine also published two cartoons concerning the death of the three-year old Syrian boy who drowned in the Mediterranean Sea during his parents' attempt to reach Europe. This time, the worldwide public pressed tough charges on the magazine and accused the French of crossing the line.But what is the right limit when it comes to political drawing? The documentary Cartoonists introduces us to twelve cartoonists from all over the world and their daily work that entails a permanent clash with the boundary of sensibilities in the society where they live and draw, often crossing this limit in their drawings.How is it possible for a few lines to synthesize such complicated and serious matters? Who are those who risk their lives for a drawing? What is the role of caricatures in political communication?Visual artist Dan Perjovschi will try to outline the possible answers to these questions reflecting on the experience of cartoonists around the world, as well as on his own experience in the field.The conference will be held on 6th October at Astra Film Cinema hall after the screening of 'Cartoonists - Foot Soldiers of Democracy'.  *********** Dan Perjovschi is a Romanian drawer, illustrator, writer, journalist and performance artist. His artworks represent a combination between drawings, cartoons, raw art and graffiti and his temporary exhibitions are on the walls of museums and contemporary art spaces all over the world. His drawings comment on current social issues and Perjovschi has played an active role in the development of civil society in Romania through his illustrations and editorial activity for Revista 22 cultural magazine in Bucharest. His work was exhibited in the USA, Portugal, Spain, Germany, Hungary, Sweden, Switzerland, UK, Mexico, Brazil, South Korea, China, etc.

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  • Life under Communism

    The half-century since the installation of the Ceausescu dictatorship and the twenty five years since the Revolution offer a temporal standpoint fit to contemplate from a comfortable distance what has been called in recent Romanian history, “The Golden Age”.

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  • Under Height Limits

          1% of the world population is born with a growth deficiency as a result of a genetic condition. They are called 'dwarves' and they live in our world, meaning a universe standardized based on the height limits we consider to be 'normal'.Since this is how it is, they are forced to adapt. The plastic chair must always be around, in their own kitchen, as well as at the supermarket; cars and bicycles must be adjusted, so they can reach the pedals. Some are saddened by their condition, others retreat in the company of animals because in the human society they are almost always exposed to curious glances or unpleasant remarks. They long for a 'normal' life. They throw parties and prefer the company of their own kind, this is what we learn from the documentary For Ever Little.Dwarves have attracted human sympathy since the dawn of time. In classic fairytales, dwarves are the most likeable characters among those who are 'different' from birth. However, in real life, the exploitation of dwarves in theatre and circus shows is a long and very little known story, one that continues to this day. The film Little people big dreams presents a huge amusement park in present-day China, created after the representative Disneyland; the thing that distinguishes the two is that this is Dwarvesland, not Walt Disney territory, where all the entertainers are dwarves. The documentary follows their life backstage and presents touching portraits. Most of them are confronted with the same dilemma: should they quit a job exploiting them and exposing them on a daily basis to the hurtful curiosity of tourists or should they stay for the sake of the team and the pleasure of being part of a community?The third dwarf story in this programme belongs to the realm of fantasy. It is the story of Ovitz family from Maramures, evoked in the film Seven Dwarfs of Auschwitz.  Before the Second World War, the seven dwarf brothers, talented singers and performers, were touring Romania, Hungary and Czechoslovakia with their Liliput company. During the Nazi occupation, it seemed that their fate was sealed. They were dwarves and, most of all, they were also Jews. They were deported to Auschwitz where they escaped the gas chamber only because they attracted the interest of doctor Mengele who added them to his collection of human guinea pigs and subjected them to all kinds of experiments. Their life in the camp and after their liberation, until they settled in Israel at the end of 1940s, is a real odyssey. The story of the Ovitz brothers is narrated by the actor Warwick Davies, himself a dwarf, which did not stand in the way of his enviable career on the big screen. He believes that by accepting the shortcomings and the talents with which you are born and by striving to cultivate your gifts things become clear in your life.“If it were possible to be born again, I would still wish to be a dwarf” - Warwick Davies said in an interview.

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  • Behind the scenes

    The Death of Mr. Lazarescu, A making of.   The most awarded Romanian film, The Death of Mr. Lazarescu (2005) directed by Cristi Puiu, was shot in 39 nights

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  • Aristoteles Workshop 10.

          Aristoteles Workshop is a documentary film program dedicated to youngprofessionals in Central and Eastern Europe, initiated in partnership with ARTEFrance, which takes its participants from brainstorming ideas, to shooting, editingand finally screening a short documentary film, under the guidance of renowneddocumentary filmmakers and experts.Since its first edition in 2006, over 130 participants produced 36 films,more than half of which were selected and awarded at various film festivalsaround the world.This year is AW’s 10 years anniversary, which will be hosted by ASTRAFilm Festival. On the 9th and 10th of October, in Sibiu, AW organizers,accompanied by special guests and former participants will gather for screeningsof a selection of best AW films, open discussions with the filmmakers and talkson documentaries and the success recipe of a documentary film workshop.

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  • Doc & Academic Research Open Session

       În Romania sunt ocazii puține pentru tineri să învețe să facă film documentar. În această sesiune deschisă se prezintă trei Universități din Romania, felul în care au conceput să folosească inițierea studenților în producție de film documentar. În cazul departamentelor de antropologie sau de jurnalistică, studenții sunt încurajați să facă filmul documentar ca exercițiu practic în cadrul cercetării de teren, dar și publicării rezultatelor cercetării, iar scopul programul de master de la UBB Cluj este inițierea complexă în producția de film documentar.

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  • Housing Stories - webdocumentar

        Status: (work in progress)    Housing Stories is a documentary series on the diversity of living experiences in Bucharest and its outskirts. Structured inseven episodes focusing on different types of spaces - apartment buildings from the socialist era, new residential complexes, ghetto areas, student housing (“outdoor” living), former nationalized houses and those from the suburbs - the project aims to document the cultural diversity of living practices from the contemporary Romanian urban space. Each episode, monthly released on

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  • Concerts

    Astra Film keeps the tradition in the 22nd edition of the festival, offering the public the chance to watch the best selection of documentary films. The novelty of this year is that, every evening, famous bands will complete the festive atmosphere from 5th to 11th of October. Highly praised musicians and instrumentalists have prepared performances for all music tastes, the cultural mosaic fitting perfectly with the diverse program of Astra Film Festival.

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  • The Media Fund: development of documentary film projects

     Valentina Miu, coordinator MEDIA Romania within the National Creative Europe Bureau (Unit for Project Management – Ministry of Culture), will present the European opportunities available to documentary filmmakers through the Creative Europe Programme (2014-2020) - EU MEDIA Sub-programme.Case study - Oana Giurgiu, director and producer (Libra Film), will be present at the seminar and she will share her experience of collaborating with MEDIA and present the way in which the development fund from Mediadesk was used for the documentary film project „Aliyah Dada”, which she directed and produced.The presentation will be held in the English language.

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