Romanian Docs

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A Little Bit About Ana

The film makes a journey across Ana's life. Ana is in quest of falling in love, of having the best possible friends, of finding herself, and of being accepted by others. It is a journey through the dark. A documentary about trafficked women in Romania, one among many tragic issues in post-communist Romania.

A Fancy House

Sibiu, Romania, is getting a new EU look. Everything must be gleaming. "Waiting for the EU." Debates, disclosures and an old vaccum cleaner. Sibiu is one of the richest cities in Romania and European Capital of Culture 2007. In the middle of all this is 70-years-old Ioan Drasovean, an old man trying to keep up with the drastic changes in his country. We follow Ioan in his everyday life: at home or sitting on a bench in the park: in serious discussions with his friend Ilie or with others, discussing Putin, Castro and mobile phone charges. And there is an old vaccum cleaner that needs to be fixed. "We are waiting for the EU." This is a film about Romanian society, its problems and hopes. And about how communism gave up because it was clever.

A Few Things About Queen Marie

"I was barely seventeen when I came to you. I was young and ignorant, but very proud of my native country, and even now, I am proud to have been born an Englishwoman... but I bless you, dear Romania, country of my joy and my grief, the beautiful country which has lived in my heart" (Queen Marie of Romania). The film is conceived as a personal account. Fragments of the Queen's biography are interpreted by the acclaimed actress Maia Morgenstern, whose profile is projected on a background of archive footage and photographs.

About Iulian Mihu, As He Was; About Us, The Way We Are

Iulian Mihu, departed from amongst us for 10 years now, is a great personality of Romanian cinema. His films talk could probably say most about their creator. In spite of that, the makers of this documentary, due to the lack of hard evidence preserving Mihu’s memory, wished that he be remembered through the testimonies of some of his colleagues and friends. Violeta Andrei, Irina Petrescu, Sergiu Nicolaescu, Julieta Szonyi, Liliana Tudor Iorgulescu, Radu Boruzescu, assistant director Adriana Lupu and editor Gabriela Nasta are only some of the names of those who, each in their own manner, contributed their memories to the making of this film. Thus we catch a glimpse of a director who was able to defy rules and orders. The film-makers try, in this movie, to act a little bit like him - sincere and unconventional. He had an enigmatic persona - sometimes furious, sometimes gentle and his motto could have been “we film to have fun”. He was an artist who, despite his career ups and downs, scandals and great movie, will always be remembered for his free spirit and the fact that he was always, until the very end, true to himself.

Adakale Stories

The amazing and thought provoking story of the tiny island of Adakale, which was known as a fairy land in the River Danube until it sank in the waters of a dam in 1970… Being the source of the most striking experiences of the Turks that may be traced in Europe and along the River Danube until our times, Adakale is being translated into the language of cinema for the first time, being aware of all sources. The documentary named "Adakale Stories" tries to connect the divided memories of the islanders who were dissolved in the lands of Turkey and Romania with their roots through their memories, albums, souvenirs, and dreams. The documentary films in disarranged archives, and accessories, maps, litographs in museums of the Adakale people who were scattered away turn into the sour taste of an incurable homesickness.

Adam and Eve

The film is shot in a remote Romanian mountain village. Here, the men, like biblical Adam, work hard in the field day after day. The women, like Eve, keep the house and have many children. Based on interviews, the film tells stories of the past and talks about hardships of the present. It alternates between splendid mountain scenery and moments in the daily life of the villagers. The filmmaker differentiates between the roles of men and women in village life. While men are observed working in the field, women are filmed in the setting of their homes, where they spend the largest part of their lives. This is a film with touching stories about people living in a dying rural world.

Adela and Agnetha

Adela is a Gypsy married to a Saxon from Transylvania, while Agnetha is a Saxon married to a Gypsy. They live in the same village, Mergideal, are mothers to many children and life doesn’t go easy on them. When asked “How did you meet?” they answer plainly, “It was love.” In Transylvania, there are hundreds such families, spread in the areas where Saxons used to live. The documentary film maker tells of how he went into the Transylvanian Plateau looking for Roma and Saxon mixed families. He was interested in these minorities, opposite both in origin and culture. The Gypsies remember the times when they came about and there were many Saxons and only a few Gypsy. Now it is different. What do the two ethnic groups have in common and what differentiate them? What do they learn from each other? A close look on interculturalism in Transylvania.

After the Revolution

This is a film about what happened just after Romania's bloody 1989 revolution. Set in the streets of central Bucharest and filmed in the observational cinema style, After the Revolution follows the furious debates that were taking place on the streets at the time and observes the struggle for power between Ion Iliescu, a former Communist leader who assumed power immediately after Nicolae Ceausescu was deposed, and Ion Ratiu who had spent most of his life living in exile in London.

Alo!?

An isolated village, not far from Bucharest. Most of its young people have left the village for the city. They could not communicate with the families they left behind, so they bought them mobile phones. How did the villagers adapt to this new type of communication?

Am I Lucky?

Would you have been lucky if your parents, if they wished to punish you, would have forbidden you to go to school? Would you have been lucky if you had to marry at 13 years? The questions are asked by two young men, a Romanian and a Roma, turned into reporters, during their ten-day- long journey through several different Roma communities from Romania. Every stop reaches a new question: in Seaca, few remember the slaves who founded the village, in Fetesti the topic is made by the orphans returned after the deportation in Transnistria, and in Brateiu, Sibiu county, the Roma make kettles which they sell in museums and fairs, and their children already have dowry and marry on the parents’ command and only wear traditional clothing. In Dumbraveni, the Roma go to the school for children with special needs if they repeat the class for three years, while students on the special places from the student dormitories in Bucharest tell their success stories. A voyage about ignorance and stereotypes on music by Shukar Collective.

And the roof is called "Home"

The Maramureş village is the eye of the sky for those who guard the mystery of the warm and perfumed wood which lasts a life-time. Its shadow is the everlasting nature of the church.

Anton Pann - Dealer in Words

A film reconstructing the moment of transformation from an oral folk-culture, from the folklore of the city and slums to cultivated literature inspired by such folklore. It is about the passage from the old period to the new which new meet in a unique, fascinating character, Anton Pann. His life and work emanate a special atmosphere - that of Bucharest at that time.

Apocalypse On Wheels

This is not a film about the how the roads or the cars look like, but about what the traffic turns us into. I chose 5 different people whom I accompanied all over town, in their every day journeys. For 5 months, I have been with them in their car, sitting on the right seat and lidtening to them. They are all ordinary people: - a delivery boy who has been driving about 14 hours a day around the capital; - a half paralyzed man who not only drives a car, but he also helps other people to avail themselves of cars; - a Peru born eoman, who was raised in a city with an equally crazed traffic; - a father who has recently lost his daughter in a traffic accident; - a policeman who, before December '89, was beaten up by militia.

Art of The Dictatorship , The Dictators of Art

The author makes his documentary round the idea of the influence of the dictatorship on plastic, film, literary and architectural arts.For his commentary he used the words of some well-known figures in these fields.

Australia

How do seven young men, former street children in Romanian get to see the Pacific? On December 1st, 2008, a national team from Romania participates for the first time in the Homeless World Cup, in Melbourne, Australia. The film focuses on the members of the team, from selection to the end of the championship. The young men come from Timisoara and Arad, ran away from home and living now in derelict houses, or working and paying rent after having passed through orphanages or prisons. After being defeated by many teams, the young Romanians manage to beat the USA team. They are happy. They are all considering staying and never returning “home”. It is well here, nice weather and people are kind. “In case I never return, a kiss for you all”, cautiously says one of them. But after having photos taken of them on the beach with pretty girls next to them and the ocean behind, the seven return to Romanian to go on with their lives.